Title: The Last Dragonlord
Author: JoAnne Bertin
Series: Dragonlord #1
Genre: Fantasy
Rating: 3/5 stars
The Overview: First published in 1999, the Queen of one of the Dragonlords’ subject realms has suspiciously drowned and two regents vie for control of the vacant throne. At the same time, a secret society led by a sinister image has dark plans of its own. Linden realises that the deadly magic that holds him may make him the last dragonlord…ever.
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The Review:
I first read The Last Dragonlord and its sequel about ten years ago but decided to reread them because the final book in the trilogy (The Bard’s Oath) came out last year, and I’d been waiting so long for it that I’d totally forgotten what had happened in the first two books. I normally have pretty decent book-recall, but I didn’t seem to remember much of anything about this one other than that I liked it. While I enjoyed the story throughout this reread, it was not nearly as good as I remembered it. This was probably one of the first dragon books I read, so that may have positively influenced my initial rating, but since I’ve now become Dragon Obsessed, I can name at least a dozen titles I liked better.
That’s not to say that there was anything wrong with this book, necessarily, just a handful of things I thought could’ve been better. It was an incredibly unconventional story, which worked both for and against the author. On one hand, nothing about it followed along the same old cliché story lines, so that in itself was refreshing, but the choices that were in it place were just a little too odd for my taste.
To start with, Linden, the hero of the story, was kind of an ass. I found him selfish, impulsive, and severely lacking in compassion and common sense. He definitely didn’t inspire any confidence in his ability to handle the broad conflicts, and I found myself unable to really get behind him. The good news is that all of the other characters (at least, the ones on the “good” side) were absolutely delightful. So, even though the main protagonist was kind of a flop in my book (pun intended), all of the other interesting characters kept me reading long after I would have thrown in the towel. There were a ton of different POVs from which the story was told, which may have helped me ignore Linden, but I’m still on the fence as to whether I liked them or not.
You see, the story starts out by bouncing around a dozen different perspectives – all within the first fifty pages. I found it frustrating and a bit difficult to keep track of them all as the story progressed… that is until I finally started seeing some of them on a consistent basis. So on one hand it’s great because if you have a character you don’t like, you’re not with them for very long, but on the other hand all of those perspectives means there’s not much left for the reader to discover. And that brings me to my next observation:
The interesting thing about this book is that the first third of it was a perfect case study in dramatic irony (when the audience know something characters do not). I’m typically not a fan of that writing tactic because it takes away almost all feelings of suspense and discovery, and I wind up impatient and antsy for the characters’ knowledge to catch up with my own. It kind of keeps the reader at an arms distance because, while the characters were feeling the stress and tension, I already knew what was really going on so it didn’t affect me as much. On top of that, there were quite a few scenes that didn’t really add to either character growth or plot advancement, so I had to wait even longer for the characters to figure out the things that I’d learned a hundred pages ago. Needless to say, reading this book was a bit more of a struggle than it could have been.
I have a whole bunch of reasons why I didn’t value the book is highly as I could have, but I finished it, so that should speak to some positive attributes. I enjoyed the overall arc of the story, the writing itself, and the creativity and vividness of the scenes and the people. While this won’t go down as the best book I’ve ever read, it still sits comfortably in the “enjoyable” slot, and I will definitely be continuing on to reread the second and finally get the conclusion I’ve been craving with the third. If you’re in the mood for something dazzlingly unconventional, The Last Dragonlord definitely fits the bill.
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